Around 4 years ago I discovered Niall McDiarmid’s work. Over and above enjoying and admiring his images, I felt he ticked many of the boxes that were missing in my work. The crossover of portraiture and street photography really appealed, he was saying something meaningful that went beyond personal artistic expression.
Several months’ preparatory work came to fruition with this autumn’s Street Photography workshop in Paris. From finding a suitable base to seeking out a varied set of locations, my aim is to pass on what I believe are those aspects of the craft that are teachable and reproducible in real life conditions.
Following on from the success of last autumn's workshop, a new set of street shooting enthusiasts from local photo clubs, joined me for a spring weekend in Nantes & Saint Nazaire. From the city centre flea-market to the seaside promenade: a variety of environments to capture the imagination & harness our skills.
Does Street Photography always have to include people? Is it not just more a case of transforming the ordinary into the extraordinary, whether it be objects, buildings or whatever else constitutes the urban landscape.
Delighted to have been one of the five photographers invited to exhibit their work last weekend for the 12th edition of the Pont Saint Martin photo festival, an event of growing significance in the Nantes photographic calendar.
Had the pleasure of being asked to put together a Street Photography workshop for Loire Atlantique Photo, which represents 24 Photo Clubs throughout the region, totalling some 800 members.
I was delighted to have been commissioned again by the collective of architect designers Ateliervecteur to photograph their new creation Intermède in Nantes, following on from the success of their Oscillation project back in 2016.
Like that previous installation, this architectural project skillfully combines both a practical function as well as offering an artistic response to the surrounding environment.
I’ve always approached photography as the art of capturing reality in a way that is not instinctively obvious to the naked eye. This is one of the fundamental reasons I’ve often been drawn to the vertical format. Framing a picture within the upright dimensions of a 35mm camera, is a compositional choice which creates, by its nature, an alternate perspective.
It was a real privilege being asked back by Alsim to photograph their new AL172 MK II flight simulator and update their stock of library images ( commercial department, research & development, maintenance, production etc) for their new communication needs.
I'm delighted to be taking part in the seventh edition of the celebrated cultural event & art festival- le Parcours des Créateurs-held in the picturesque former fishing village of Trentemoult, situated on the south bank of the Loire river opposite Nantes.
I'll be exhibiting a selection of large format, colourful and graphic Street photos, taken in London, Rome, Nantes and other urban environments, from Friday 15th to Sunday 17th June.